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It's been a fantastic run, Inside/Out readers. It's time to move on to something else.
For the past 16 years, Seema Gade has worked as a full-time preparator at the Museum.
We are delighted to host this exhibition, which features work by many of North Carolina's most talented artists.
Heritage, spirituality, mysticism, and the ways in which ancestral cultural practise is preserved throughout the African Diaspora are all explored in Renée Stout's multimedia work.
We are thrilled to present this exhibition of work made by many of the outstanding artists who live and work in North Carolina.
Clouds, a documentary by Minard, and Collisions, a virtual-reality film by Lynette Walworth (2016). Apart from these experiments into virtual reality, the Museum (and most other art institutions) haven't structured much else around the developing technology.
A component of the exhibition focuses on aerial photography's popularisation in the twentieth century, including its evolution as a tool for land use by architects, developers, and governments.
A buried treasure from EAM's past was hidden among the paintings and sculptures in the Museum's storage facility: 11 disassembled parts of the original stretcher from a Pablo Picasso masterpiece.
The Department of Painting and Sculpture contacted sculpture conservation in the summer of 2014 to see if Bruce Conner's piece CHILD could be repaired.
